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Manson Family Movies
A recreation thereof–25th Anniversary
Edition (70 min.), featuring new soundtrack with never-before-heard
Manson Family Music.
"Manson Family Movies
is a primitive, obsessional, fetishistic tribute to mayhem,
murder and madness. Enough to appall even the most jaded
VCR junkie... The home movie effect really added to it.
Attention to fetishy detail was really astounding–Abigail's scarf, Tex's gun, plus
Sadie, Tex and G. Spahn looked more like the originals than
Helter Skelter. Very rude–all the rumors, MDA deal, Leno
the bookie, Tate S& M... I liked the Valley of the
Dolls and Nico touch. The most obscure was Leno's vacation–I had never even imagined those
sights."– John Waters

"Looks like the real thing."–Kenneth
Anger
"I remember your film very well and it looked SCARY! It
had an authentic feel to it that made us squirm. Well, it
looked gritty and homespun and made me NERVOUS. Keep up
the original and disturbing atmosphere."–George Kuchar
"Aes-Nihil Productions recreates the apocryphal Manson home
movies darkly hinted at in Sanders’ The Family. Filmed almost
entirely at authentic locations."–Tuxedo and Pinky, Masters of
the Final Solution
"Aes-Nihil’s Manson Family Movies
is to Manson what Deranged is to Ed Gein, with all its grotesque
splendor. Any Manson fan is getting more than they bargained
for."–Mussette
and Yehti, Authorities on The End Times
"Manson Family Movies
will remind you of your earliest breakdown... of a time
when even the Good Humour man could whip out his peter and
force it down your quivering young throat. With the kind
of spontaneity that everyone just loves, this chilling comedy
poked fun at ritualistic human slaughter, along with the
accompanying seizures of catatonic psychosis. More than
just a documentary, Manson Family Movies
boasts an effervescent instability reminiscent of those
films they used to show you in elementary school about going
to the dentist. So caress yourself without remorse, the
time has come to abandon your inhibitions!"–Alex St.
Ives, Pornographer

The Drift
The latest high drama from Aes-Nihil–starring
Glen Meadmore, The Goddess Bunny, The Cosmic Daniel, Michael
Kleats, Tom T.O.P.Y., Paula P-Orridge and Lance Loud.
"The Drift is really quite hypnotic
and riveting. It's hard not to see the whole thing in one
sitting but once your caught in that web of decorated decadence
it's impossiable to budge the buttocks toward more sacharine
seating. George Kuchar
Much as VINYL appears to be closer to the novel on which
it is based than does the Hollywood version of, so THE DRIFT
strikes is as more to the point of Tennessee Williams' novel
THE ROMAN SPRING OF MRS. STONE than does the Tinseltown
version. And the latter is no mean competiotion for as you
may remeber it stars Vivein Leigh, a very young Warrne Beautty,
and the redoubtable Lotte Lenya. But what that book is really
about or what it really is is not something Hollywood can
put its finger on easily. For it is not about the deparavity
of its own viewpoint and vision. This Aes-Nihil captures
admirably. And with a fraction of the effort that went into
the commercial venture. What is most elusive about THE DRIFT
and perhaps it is the secret to what makes it work is that
we are never certain of Aes-Nihil's conscious intentions.
But then again neither are we ever really certain of Mae
West's. What we can be sure of is their sucess. From the
moment that we gaze down the 'spanish Steps' at young Paolo,
gaze down through the lectherous eyes of our tranvestite
matron the not-to-bebroken concentration of her eyes we
know we are in sure hands. They they understood what this
truly sordid tale is all about. And just who is sordid in
the whole undertaking. What I,m saying is that Tennessee
Williams was never more roundly denounced than he is by
THE DRIFT and that that denuciation may be coming from a
fan. And that is the work's secret. And where in the world
could one have come up wit a better Countessa than we have
in Goddess Bunny? Especically if you felt you had to oudo
and out perform Lotte? We are talkingdepravity that takes
the luncheon lobster right out of Lotte's yawning maw. THE
DRIFT understands the signifance of all the stars in this
work and what it comes up is breathtaking. Every setting
as it relates both the book and commercial flick is hilareous.
And Michael Kleats as Paulo is making a statemnt on Paulos
the world over that needs no elaberation. Above all the
films keeps its sence of good humour about it. The actors
appear to be enjoying themselves and since they are so are
we. The pay off comes when one of them gets truly picked
off for we get to witness something rarely captured captured
on the screen: A queen's true fury. And all the while we
are watching Mr. Williams' yarn."–Ronald Tavel,
Feburary 1997
"The Drift is a complete travesty... an obscene and
tantalizing tragedy best suited to those whose existence
lies cradled in the sweaty arms of misery. Never before
can I recall when so many unhealthy elements have merged
to form something such as this: a concentrated miasma of
murdered desire and cultivated despondence. This is the
story of an arrogant woman and the men forced to endure
her neurosis. She’s a wreck: in the course of her life,
she periodically flirts with sensitivity only to have her
obsession with poverty inflate so dramatically that it suffocates
her simple dream of being a farmer’s wife. The Drift
illustrates a world of too much etiquette, just enough silverware,
and not nearly enough champagne!"–Alex St. Ives, Pornographer

Whilst Filming The Drift,
The Goddess Bunny Channels Shakespeare
Starring The Goddess Bunny, Glen
Meadmore, That Cosmic Daniel and a hustler.
"The entertaining Goddess Bunny sops up another one in this,
the finest and most frequently requested video in our catalog.
The Goddess Bunny Channels Shakespeare dismembers all notions of decency
with the timely story of a conceited whore starlet dedicated
to the complete annihilation of Hollywood glam hypocrisy.
While liquor bottles clatter repeatedly under the sofa,
the Goddess Bunny continues her oration in the gloriously
slurred voice of popular Elizabethan playwright, William
Shakespeare. While cries of euphoria echo throughout the
auditorium, the Goddess succumbs to her terminal ache of
elegance, and climaxes by re-writing the dictionary and
simultaneously begging for death."–Alex St. Ives, Pornographer
The Goddess
Bunny: The Only Truly Glamorous Star Left In Hollywood
Also, the only transsexual/ex-quadriplegic/ex-hooker/drag
queen, period. Includes the infamous Tap Dance, Hollywood
Girls, Hollywood Vice and live shows in Hollywood. Sorry,
no porno!

The Ma
Barker Story
A musical comedy based on the
day to day life of the notorious 1930s Barker Gang. Filmed
on location at the Barker Ranch, the Spahn Ranch and in
downtown Trona. Starring the Goddess Bunny as Ma Barker,
Brett and Bubba of Psycho-Drama as Herman and Freddie Barker,
Glen Meadmore as Alvin Karpis, X-Tina as Rembrandt and Harlan
as Pa Barker.
"The murder is too real!"–Don Murphy
All
hail historian and archivist John Aes-Nihil for his beautifully
unnerving film The Ma Barker Story. A whacked-out
mutation of Corman's Bloody Mama, Aes-Nihil's masterpiece
contains cinema's most disturbing murder scene, as well
as intense performances by some really fucked up individuals.Thirteen
years in the making, painfully assembled without money or
divine guidance, this harrowing account of America's Most
Wanted Family is expansive and extreme, exploring the psyche's
most painful regions. Excellent acting, hypnotic camera
work, insane violence, etc. FIVE STARS, NINE PLANETS, 86
MOONS and an ASTEROID BELT for this one."–George Petros
"Andy Warhol may be dead but he
must be clapping from on high over John Aes-Nihil’s latest
pairing with the divine Goddess Bunny in this outing that
maybe continues the paths explored in Lonesome Cowboys,
or at least charts a direction The Shaggs may have taken
if they were homosexual paraplegics on LSD. The garbage
dumpsters of Southern California appear to be overflowing
as Aes-Nihil has merely dusted the tops of the refuse to
populate his latest pioneering adventure, a toiled and unwashed
milieu of decadence, murder, rape and the deconstruction
of the Western adventure. With an overly wavering camera
eye, subdued sound recording complete with obscuring winds,
and a dirt-covered set that suspiciously resembles my mind’s-eye
illusion of the Spahn Ranch in its Manson-overrun heyday,
Ma Barker obliterates preconceived notions of what
a film
is, and gives us... this."–Shade Rupe |
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William S. Burroughs In The Dreamachine
A documentary on William S. Burroughs' and
David Woodard's involvement with the Dreamachine, also featuring
Leonardo DiCaprio and Allen Ginsberg. Includes the last
footage of Burroughs at home and out on public forays.
Nova Convention
Revisited
November 1996, featuring William
S. Burroughs, Ed Sanders, Patti Smith, Blondie, Laurie Anderson
and Phillip Glass.
Second installment of the Aes-Nihil
/ Tennessee Williams trilogy, starring Jade Gordon, Bibbe
Hansen, Vaginal Davis and Lance Loud.

Descent Into Glamour
The Goddess Bunny story, starring
the Goddess Bunny, Jade Gordon and Vaginal Davis. |
| Beyound Joy And Evil 2001,
Live In Hollywood, CD $15.00.
Beyound
Joy And Evil Does Aesthetic Nihilism, 1974-79
Avant-garde heavyweights play on rock instruments with regard
for nothing but energy. Includes: What Have You Done for
Your Führer Today?, Accurately Killing, Something As It
Really Is, Beyound Joy and Evil, Jeanne Maureen, and Beyond
PCP Live. Lyrics by Nietzsche, C.S. Lewis, Mel Lyman and
others. "Sort of like Metal Machine Music, but with lyrics."
Lyric book included. (70 min.) CD $20, CASSETTE $12.00. [SAMPLE: "What Have You Done For Our Fuhrer Today" (MP3)]
The
Ma Barker Story Soundtrack & Compilation, by
Glen Meadmore, Ed Keller, Dan Janish and Aric Leavitt
CD $15.00.
King Mama Does "Where Rabbit?" (X)
A giant, perverse male hawg trapped in a female human body.
King Mama says, "I am the best... buy my tape or I'll kill
you." King Mama Comix included. (60 min.) $12.00.
Boy Tito M... Bisexual Punk
The psycho-sexual rantings of a 7-year-old depraved genius.
(60 min.) |